Dakota of the White Flats

​Dakota of the White Flats is an adaptation of the novel by award-winning author Philip Ridley. A high-action pulpy punk noir that snatches the classic coming-of-age adventure story out of the hands of a gang of boys, and passes it to two loud, unapologetic, brave young women.

Presented by Red Leap Theatre

Dakota ~of the White Flats~
Dakota ~of the White Flats~

#Dakota Pink is 13-years-old and afraid of nothing.

She lives in a bleak housing complex on the edge of a polluted canal. Abandoned supermarket trolleys litter the streets and the oil slick water is filled with monstrous mutant eels. Dakota and her best friend Treacle discover a secret that propels them across the water to the Broken Glass Fortress on Dog Island.

Delivered in electronica inflected neon and grime, Dakota of the White Flats is a finely crafted narrative shot through with comedy, horror, immersive soundscape and live music. Directed by Ella Becroft, with set design by John Verryt, lighting by Rachel Marlow and composition by Eden Mulholland, this fast-paced and electrifying show celebrates the resilience, bravery and hope of young people in a changing world. 

Wednesday 20 May - 7:30pm

Thursday 21 May - 11:00am


Empire Cardholder $47.00
Adult $52.00
Concession $48.00
Child U15 $39.00
*a fee of $5 applies per transaction for online bookings.


Theatre, Music


65 minutes no interval


Please be aware that the Armitage Centre is a seating bank, you may need to climb stairs.
If you're after wheelchair seating or Companion Card (limited number available) book via our Ticket Office or over the phone on 1300 655 299.

#Watch A Sneak Peek

Powered by a pulpy 90s tone infused with the high-octane energy only a child could muster, all cylinders are firing here to create a delightful epic audiences won't forget quickly.

Ethan Sills, the New Zealand Herald

Red Leap has delivered entertaining, imaginative theatre that pays homage to gutsy girls, friendship and hope. Buckle up for the ride.

Mary De Ruyter, Theatrescenes

Once in a while, a show like this comes along and drives home how important live theatre and the arts are for young minds.

Kate Morris, Eyes on Wellington

An hour of fizzing, popping, sparkling theatre. A gourmet of the galloping variety. Every moment crammed full of creative inventiveness.

Jan Fisher, Theatreview

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Acknowledgement
of country

The Empire acknowledges the Traditional Custodians, the Giabal, Jarowair and Western Wakka Wakka peoples, where we work and present stories. We would like to pay respect to the Elders, past and present and to all First Nations peoples.

Artwork: We Are Yuree by Adrian Bauwens

Empire Theatre