Youth Arts

Whisked away to a classic tale, The Empire Theatre’s 2024 production of Rodger and Hammerstein ‘Cinderella’ was nothing short of perfect. Directed by Tim Hill the show was a spectacle, from the costumes to the choreography everything was straight out of a fairytale.

The story follows Ella as she navigates a life of hardships, from a wicked family to poverty Ella is a strong and powerful female character. She dreams of different lives around the world and eventually gets to follow that path as she attends a masquerade dance. The show follows all the typical story beats of the classic tale but with modern twists, the added revolution, cries of poverty and corrupt government powers adds a sense of realism amongst the magic, the way the characters overcame their troubles with humour and love was truly magical. I really enjoyed the way each character was given depth, they all had hopes, wants, and dislikes and it provided for a deeply entertaining show.

Every single actor was amazing, but multiple had me fixated the entire show. Shannon Gralow as Cinderella was true perfection, the vocals she delivered were straight out of a Disney film. She gave Ella humour and passion outside of her kindness. Flynn Walmsley played Jean-Micheal, a regular townsman with a heart of pure gold, he fought to bring attention to the kingdom and the royals about the sufferings if their kingdom, paired with Flynn’s outstanding comedic timing Jean-Micheal was a standout character. Finally, a character that captured my attention was Lydia Cunnington as Charlotte one of Ellas stepsisters. Her performance of ‘Stepsisters Lament’ was bright and captivating making her a personal stand out.

The costuming was gorgeous, the choreography was fabulous, and the dancers were absolutely incredible. This show is truly amazing, nothing short of perfect, The Empire Theatre created magic on the stage I plan to see it twice more. The magic was sealed with a shooting star outside the theatre I never wanted the clock to strike midnight.

Rodgers + Hammerstein's Cinderella plays until March 23 at The Empire. Book tickets here.

Cinderella, directed by Tim Hill at the Empire Theatre was breathtaking. Every scene, costume, character, background and moment of the story was special and they couldn’t have made this masterpiece any better than it already is.

The show is based on the story of a girl named Ella (Cinderella), who lives with a horrible stepmother and two spoiled stepsisters. The play focuses on Prince Topher and Ella’s relationship as they meet and get to know each other. There are strong themes of friendship and of some protest, with characters mentioning the troubles and struggles of poor people in comparison to rich people. I am a big fan of the romance and tense themes that the show portrays. I felt excited at every new scene, waiting for what amazing idea they would include in the play.

I love how Cinderella’s relationship with Prince Topher/Christopher grew. Prince Topher seems to be very interested in Ella as a person, not rejecting her kindness just because she is poor. I also love Cinderella’s honesty and trust with the prince. She didn’t try to be his “dream girl,” she just acted as she did every day, like herself. 

In general, all of the actors did a great job, but there were a few performances I could not get off of my mind. Shannon Gralow (Cinderella) is such an amazing and talented person. Being able to act as well as she did in the show is one talent itself, but being able to sing incredibly well, too is truly astonishing. I must point out Flynn Walmsley’s performance on stage, too. Flynn Walmsley played my favourite character, Jean Michel. As soon as he walked on stage, I am sure the whole stage loved his energy and humour because I sure did. I am a fan of how he portrayed Jean Michel and the character’s memorable personality. 

The use of lighting when the Fairy Godmother used her powers was very creative. I also loved the costumes. Since parts of the show was set in a palace, there were many different coloured ball gowns that looked absolutely gorgeous. Out of every set there was, my favourite was the cottage Ella, her stepmother and her stepsisters lived in. There were so many interesting, playful and creative elements hidden inside and out, such as a piano hidden inside a set of drawers, a fox and raccoon and much more. Again, this show was breath taking and I highly recommend it to everyone. There are jokes anyone would enjoy and in general it is really just an incredible show with incredible dancers, actors and singers.

Rodgers + Hammerstein's Cinderella plays until March 23 at The Empire. Book tickets here. 

Static Air performed by the Senior Impact group of the Empire Theatre is a wonderful play that is a call to change, a call to everyday people to make change, and to find their own purpose in the world.

Set in the future, the world is a vastly different place. No radio, no rain, and strangest of all, no clouds in the sky. In a desperate effort to create more rain, this world has “could factories” designed to produce clouds, although even with all their efforts this proves unsuccessful. Soon after a day of work some cloud factory employees find something strange, a room that they latter discover is a radio station from the old world, which they use to create their own radio show. Apon discovery by the attenuators they flee, returning to their normal lives at the factory, until news of an uprising from the people they finally get to run in the rain.

From the soundtrack to lighting, this play was always entertaining and got a lot of laughs from the audience. This play was beautifully produced and had a lovely message, speaking of climate change and the impact the current generation will have on the fate of the planet was fantastic. The talent displayed from the young actors was fantastic and they should congratulate themselves on their amazing work.

IMPACT 2023’s performance STATIC AIR was an absolute blast to go and watch! The show had a perfect mix of a fun chuckles and some in-depth meaningful story telling, that’s not even mentioning the amount of talent and hard work that went together to put on such a spectacle. Seeing such a fun and bubbly group of young actors being able to put their heads together to formulate, write and perform an enjoyable and hard hitting piece of art is just amazing. Don’t even get me started of the message behind it all, the idea of ‘being heard,’ while a show about a forbidden radio station might be a bit on the nose, is an interesting topic to tackle. I loved it so much because exploring the idea of being heard through the lens of young people, who can often be some of our least listened to geniuses, gives a bit of a refreshment and a reinvention to what is one of the most common and repetitive themes. I think I’m blabbering on now so I’ll get to the point. STATIC AIR, and the amazing team behind it, both on stage and behind the scenes, took an old stale idea and through hard work and vulnerable story telling, created something new and beautiful. As an audience member I had so much fun I had to go back and watch it a second time, and as a past IMPACTER, I could not have been more proud of the work this years ensemble have put out!

A blank white sheet serves as the backdrop, tall and imposing. The workers, dressed in their orange jumpsuits and topped with hardhats, are ordered in rank-and-file, their hands over their chests as the very distorted anthem of the cloud corporation plays.

Static Air, presented by the Senior IMPACT team, was focused around a group of workers at a cloud-factory, working on and on day after day until they discover an abandoned radio shack, and start up their very own (makeshift) radio show, in an effort to generate hope for the rain-starved populace. The radio shack, filled with side conversations, energy and joyfulness, was quite contrasted by the slow, weary movement of the factory, with each ‘day’ of the play ending with a loud horn call and the burdened changing of the ‘DAYS UNTIL RAIN’ sign. The Attenuators, bodiless voices serving as the cloud factory’s managers, also provided an autocratic theme to the whole cloud factory. I quite enjoyed it - I certainly can understand creating an autocratic dictatorship just for the chance to have more rain.

Every now and then, the Director would chime in with a message, though it was increasingly suggested that perhaps the Director wasn’t who he claimed he was. This was never fulfilled, though, and I am quite sad that I never got to find out about what this pre-recorded message fully contained. I’m perfectly happy with the music the team used to interrupt the Director’s messages, which were very fitting with the dystopian theme of the cloud factory.

Overall, Static Air was a quite enjoyable play about drought and radio shacks and overburdening managers, though there were a handful of points that I would’ve loved to see - like, what sort of uniforms do the Attenuators wear? I want to see giant trench coats!

First Nations people have been storytellers before the word storyteller existed in English. They are the first people to live in Australia. And their stories have never died, they have been kept alive for thousands and thousands of generations. The Sunshine Club is such a perfect example of this. An emotionally driven performance the Sunshine clubs plot was so heart wrenchingly real that I could do nothing but think of how it was slotting in to this current society. The Sunshine Club is a necessary voice and story especially in this year's political climate. To have a show about First Nations people performed at our very own Empire Theatre was perfect timing. The story was beautifully heart-warming and shows that a little determination and motivation can change the world, or even your small town. Storytelling keeps legacy alive.

When I got the opportunity to go watch The Sunshine Club I could not have had a better time. The performance was flat out delightful. With an incredibly talented cast that could preform some of the most distinct characterisations I’ve ever seen, and sing with the voices of angels, the performance perfectly expressed a clear, in-depth and enjoyable piece of storytelling that even somebody as dense as me can understand a sympathise with. Seeing this play was not a night wasted to say the least, I had a blast. I’ve got nothing but respect for what is clearly a hardworking, talented, and passionate cast! Even the musicians got in on the jokes from time to time. Now I’m not very connected to a whole lot of the plays themes; however, every aspect of the outstanding performance ties it all together and paints a picture that helps me to feel less alien to it all. Now that is pretty damn hard to achieve and it’s pretty rare to experience.

I went into Twelfth Night knowing nothing besides the movie She's The Man. I'd done a few scenes in drama classes but other then that I knew nothing. I left amazed as the Bell Shakespeare company's version was hilarious and still quite sad at parts. The costumes were beautiful and even though I barley understand Shakespearean language I knew when it was funny solely through the actors alone. The sets as well were so gorgeous It was an amazing, hilarious and aesthetically beautiful show and I wish I could see it again and again.

The grand piano’s hood kicked open – two hands grasped onto the rim of the lid. A woman climbs out, wincing and gasping with pain – her ankle looked broken, considering she was avoiding putting her weight on it. She falls to the ground, leaning against her musical oubliette. The theatre is silent as she stumbles off. THEN A JESTER WALKS ON.

Bell Shakespeare’s performance of Twelfth Night was hilarious, confusing, and worrisome all at the same time. There’s a shirtless jester on a scooter, ranting off in some Shakespearean verse that could’ve been German for all I understood it – there’s a pageboy (or, rather, pagegirl) who for some inexplicable reason is the love interest of a Countess, and yes, there’s a poor head maid stuck in a piano and forced to withstand all the vibrating strings.

The tonal shifts between every scene probably gave me whiplash, yet the contrast between the dark, depressing moments and the glorious visage of the Jester, made me think even more about what the scene was actually trying to tell me, rather then just laughing it off or becoming sad and ignoring the rest of the play. Unfortunately, I could not tell what in the world the characters were saying, as I surprisingly don’t speak Middle English, but the hilarious costumes (airhostess uniforms, rich tropical outfits, a Jester costume that looked straight from the Elizabethan period) and the wonderful acting (once again, the Jester is all I have to point towards) more then made up for any words I did not understand.

I have to say, the Jester was the best character in it, and no one can disagree with me without watching the play itself, which will inevitably convert them to the Jester’s side.

Twelfth Night was quite enjoyable, quite confusing, and quite hilarious. Fare thee well, you baron rascals, and don’t get mistaken with your twin sister – it leads to some confusing situations.

I thought the characters really suited their roles and were really humorous and entertaining. Lots of the humorous bits were relatable, such as the references to Snapchat. I particularly enjoyed the part when they did not have any toilet tins left so that had to use their water bottles. I love the sound effects and how all the actors had good character confidence. My favourite sound effect was when the dark force was close to the shack. It set the mood really well and got you on the edge of your seat. 

I loved all of the props as they made it more realistic, and I also loved how the actors use the props to engage the audience. It inspired me to keep practicing my performance skills so that I could be in a production like that. If I was a character, I would have definitely played Samson. She had many funny lines, and she also lightened the mood. 

I really like the lighting too, especially when each character took turns at reading the diary of the famous explorer. I can appreciate that a lot of time and effort has been put into this performance and it was an excellent result. Overall, I think Shack should be aimed at audiences similar to my age (12) because we are more engaged with the lighting and sound effects than younger audience.

Overall, I really enjoyed this performance. I give it a 10 out of 10 and totally recommend it!

Out of all the shows I have had the opportunity to review at The Empire Theatre this season, Shack is my all-time favourite so far. 

The plot of Shack is about nine school friends that are separated from their parents in a blizzard. They end up finding themselves in an abandoned shack which, thankfully, contains quite a few useful tools.

There were several moments throughout the show’s narrative where one of the characters would make a mistake or do something the group had not agreed on. However, they always figured it out and found a solution by discussing the situation with a friend.

I would say the moral of the story is about the importance of getting along with peers in difficult situations, whether or not the circumstances are ‘life threatening’ or just working at a school project. 

I actually auditioned to appear in this show but I was not selected. Therefore, to see actors my age perform in this show and do such a splendid job was really inspiring and motivates me to keep working at my own acting skills.

The actors demonstrated great skill and were superb at performing in sync with the sound effects and lights. There were so many things happening at once it was almost overwhelming for my senses.  

The use of props was very effective and incorporated so well into the show. The set was super cool and a feast for the eyes.

My favourite aspect of the whole play was the character of Rufus, the comedic relief character, who would make funny jokes or comments to lighten the mood. He made the whole audience laugh without fail every time. He was a well written character and performed brilliantly. 

Shack is an outstanding play. It has lots of heart while also containing plenty of laughs. I would definitely recommend it for audiences of all ages.